Yoroboshi: The Weakling

Satoko Ichihara

Tokyo

Categories

  • Theater
  • World Premiere
Ein verschwommenes Foto zeigt im Vordergrund Kopf und die nackten Schultern einer Barbiepuppe mit heller Haut, die kopfüber in die Kamera schaut. Dahinter ist in horizontaler Pose eine Metallpuppe in horizontaler Pose montiert – ein Mann in blauer Uniform mit weißem Helm.

Dates

14 Juli:

21:00 with Introduction

15 Juli:

17:00 with Audience Talk

16 Juli:

16:00

Tickets

Tickets

Yoroboshi: The Weakling

Satoko Ichihara

Tokyo

Categories

  • Theater
  • World Premiere

In a puppet show for adults inspired by Japanese Bunraku theater, playwright and director Satoko Ichihara reinterprets the old legend of the “Blind Weakling” (Shuntokumaru). While in the original story children are abandoned, sick people are discriminated against, and ultimately everyone is redeemed, Ichihara goes far beyond the tragic tale of good and evil. She confronts us with the question of what happens when social taboos such as incest and pedophilia are transferred to dolls.
Ichihara replaces traditional bunraku dolls with sex dolls, mannequins, and other creatures that embody desire and violence. As narrator, called Gidayu in Bunraku, actress Sachiko Hara guides us through the story. Experimental musician Kakushin Nishihara combines traditional satsuma biwa sounds, noise and electronic music to create an extraordinary composition. Together they drive the story forward, mediate between worlds and bring the puppets to life.

Content note: This performance is not recommended for persons aged under 16.

Introduction on 14.7. at 20:30
Language: German

Audience talk on 15.7. after the performance
Language: German and Japanese

Photo: ©Satoko Ichihara


About the Artist(s)

Satoko Ichihara, born in Osaka and raised in Fukuoka, is a playwright, director, novelist, and Artistic Director of the Kinosaki International Arts Center (KIAC). She has directed the theater company Q since 2011. Her plays are concerned with human behavior, with bodies and the unease that surrounds them. She received the Aichi Arts Foundation Drama Award in 2011. Her adaptation of ‘The Bacchae’ (2019) won the 64th Kishida Kunio Playwriting Prize. In 2021, she co-produced ‘Madama Butterfly’ with the Theater Neumarkt in Zurich.